課程名稱 |
開源文化與未來 Open Source Culture and the Future |
開課學期 |
105-2 |
授課對象 |
文學院 外國語文學研究所 |
授課教師 |
廖朝陽 |
課號 |
FL7320 |
課程識別碼 |
122 M3820 |
班次 |
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學分 |
3.0 |
全/半年 |
半年 |
必/選修 |
選修 |
上課時間 |
星期二8,9,10(15:30~18:20) |
上課地點 |
外研三 |
備註 |
第一、三類課程。 限碩士班以上 總人數上限:12人 |
Ceiba 課程網頁 |
http://ceiba.ntu.edu.tw/1052osc |
課程簡介影片 |
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核心能力關聯 |
核心能力與課程規劃關聯圖 |
課程大綱
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課程概述 |
Course Description:
This course deals with models of cultural practice and production based on distributed authorship and exemplified in the contemporary world by open source software development. While such models have often been affirmed as pointing to a utopian “democracy of the multitude,” there are also accounts associating them to the need of late capitalist assemblages to be flexible and rhizomatic in coping with fast-changing market situations. We will review major theorizations and develop a new understanding based on related theories of time, mediation, and futurity (Bergson, Deleuze) as well as attempts to connect open source culture to an economy of contribution where its utopian elements become “pharmacological” (Stiegler).
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課程目標 |
Course Objectives:
The cultural practices of open source culture are very much dependent on technological developments foregrounding to an unprecedented extent the values of cognitive and communicational work (“immaterial labor”). An adequate account of such practices is therefore vital to the thriving not only of creative media production (textual or otherwise) but of education and in particular of the field of literary studies with its investment in being a provider of cognitive labor force. The main objectives of this course are, therefore, to describe and respond to such transformations in political economy and to help students develop such an account by focusing on open source culture and by using materials available in their own field to shed light on their position and the position of their profession in the contemporary world.
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課程要求 |
Requirements: Regular attendance, class presentations, and a final paper.
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預期每週課後學習時數 |
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Office Hours |
另約時間 |
指定閱讀 |
Bergson, Henri. Matter and Memory. Trans. Nancy Margaret Paul and W. Scott Palmer. New York: Zone Books, 1991.
Deleuze, Gilles. Bergsonism. Trans. Hugh Tomlinson and Barbara Habberjam. New York: Zone Books, 1991.
Galloway, Alexander. Gaming: Essays on Algorithmic Culture. Minneapolis: U of Minnesota P, 2006.
Jenkins, Henry. Convergence Culture: Where Old and New Media Collide. New York: New York UP, 2006.
Kelty, Christopher M. Two Bits: The Cultural Sigificance of Free Software. Durham: Duke UP, 2008.
Roberts, Ben. “Against the ‘Networked Information Economy’: Rethinking Decentralization, Community, and Free Software Development.” Criticism 53.3 (2011): 385-405.
Söderberg, Johan. Hacking Capitalism: The Free and Open Source Software Movement. London: Routledge, 2008.
Steinberg, Marc. Anime's Media Mix: Franchising Toys and Characters in Japan. Minneapolis: U of Minnesota P, 2012.
Stiegler, Bernard. For a New Critique of Political Economy. Trans. Daniel Ross. Cambridge: Polity, 2010.
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參考書目 |
Galloway, Alexander R., and Eugene Thacker. The Exploit: A Theory of Networks. Minneapolis: U of Minnesota P. 2007.
Raymond, Eric S. The Cathedral and the Bazaar: Musings on Linux and Open Source by an Accidental Revolutionary. Rev. ed. Sebastopol: O’Reilly, 2001.
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評量方式 (僅供參考) |
No. |
項目 |
百分比 |
說明 |
1. |
Attendance |
30% |
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2. |
Participation |
30% |
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3. |
Term paper |
40% |
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週次 |
日期 |
單元主題 |
第1週 |
2/21 |
Introductory |
第2週 |
2/28 |
(Holiday) |
第3週 |
3/07 |
Kelty |
第4週 |
3/14 |
Roberts |
第5週 |
3/21 |
O’Reilly |
第6週 |
3/28 |
Söderberg |
第7週 |
4/04 |
(reading week) |
第8週 |
4/11 |
Jenkins |
第9週 |
4/18 |
Steinberg I |
第10週 |
4/25 |
Steinberg II |
第11週 |
5/02 |
Bergson |
第12週 |
5/09 |
Deleuze |
第13週 |
5/16 |
Galloway |
第14週 |
5/23 |
Stiegler I |
第15週 |
5/30 |
(holiday) |
第16週 |
6/06 |
Stiegler II |
第17週 |
6/13 |
Conclusion |
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